If you asked any random person on the street what they thought the purpose of copyright is, they’d probably assert that copyright is designed to protect the rights of artists. William Patry, author of Moral Panics and Copyright Wars, disagrees. Patry believes that copyright is a tool used by so called “copyright industries” to wage war against their consumers. Patry argues that the modern use of copyright is a symptom of “push marketing”: “With push marketing, businesses create products or services based on what they want to sell to consumers and not based on what consumers want to buy” (5). This kind of push marketing is very apparent in the modern music industry, which constantly resists changes in music mediums. “This is what occurred with the record industry’s refusal to move to MP3 single-song sales, long after it was apparent to rational observers that the CD market was exhausted” (4). Push marketing as Patry describes it is detrimental to progress and resists free market ideals, in particular the invisible hand. Patry argues that the industry needs to move to a pull market, in which consumers and “collaboration, not control” drive the marketing of copyrighted works (7).

Since Patry’s argument is based primarily in the domain of economics, one would assume that a company such as Facebook that provides a service free of charge would have little use for the waging of copyright wars. But while Facebook generally does not revolve around the creation and sharing of creative works, it’s easy to forget that photos and videos uploaded can be considered “intellectual property”. Facebook has a somewhat disturbing approach to intellectual property, as stated in their Statement of Rights and Responsibilities: “For content that is covered by intellectual property rights, like photos and videos (IP content), you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook (IP License). This IP License ends when you delete your IP content or your account unless your content has been shared with others, and they have not deleted it.” Facebook essentially has the right to use your photos and videos for whatever nefarious purposes they can think of. This becomes even more frightening when it becomes clear how little privacy really exists on Facebook: “When you use an application, the application may ask for your permission to access your content and information as well as content and information that others have shared with you.  We require applications to respect your privacy, and your agreement with that application will control how the application can use, store, and transfer that content and information. ” While users do have the right to resist this intrusion, I doubt that many users consider the possible repercussions of playing “FarmVille”. As Kyle Brovlofski so tactuflly stated in the South Park episode “Human CentiPad”, “Who the hell reads that entire thing every time it pops up?”

It would appear that Facebook is engaging in (or at least has the ability to engage in) borderline Orwellian surveillance of its users that one might think is illegal. But in actuality, Facebook is well within its rights when it does whatever it does with your intellectual property, because the user clicked “agree” when signing up with Facebook. Facebook can also change this contract whenever it chooses: “We can change this Statement if we provide you notice (by posting the change on the Facebook Site Governance Page) and an opportunity to comment.  To get notice of any future changes to this Statement, visit our Facebook Site Governance Page and “like” the Page,” and the only way to recieve notice is to make the effort to like a Facebook page which, up until now, I didn’t even know existed. The little power that Facebook gives to its users “If more than 7,000 users post a substantive comment on a particular proposed change, we will also give you the opportunity to participate in a vote in which you will be provided alternatives. The vote shall be binding on us if more than 30% of all active registered users as of the date of the notice vote,” does not bring it anywhere close to the ideal “Pull Marketing” tactics described by Patry. The South Park episode “Human Cent-i-Pad” wasn’t too far off, if the Facebook terms of services said that they could sew my mouth to another human’s anus, it’s highly unlikely that I would know about it, and even less likely that I would be able to do anything about it.

Patry, William. Moral Panics and the Copyright Wars. New York: Oxford University Press, Inc., 2009. Print.

“Statement of Rights and Responsibilities.” Facebook, 8 June 2012. Web. 08 Sept. 2012. 

Parker, Trey. “Humancentipad.” South Park. N.d. South Park Studios. South Park Studios. Web. 8 Sept. 2012.

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